The Northern Uganda music scene, known for its vibrant talent and fast-rising stars, has recently been rocked by a high-profile feud between two of its influential artists—Pato Loverboy and Bwoy King HD. What began as mutual support and positive recognition has spiraled into a bitter dispute that has captivated fans and sparked debate across social media platforms and entertainment circles.
Until recently, Pato Loverboy and Bwoy King HD were considered allies in the fast-growing Northern Uganda music industry. Pato Loverboy, a seasoned artist known for his emotional melodies and loyal fan base, had frequently supported Bwoy King HD, the rising Afrobeat and dancehall star whose catchy hits like Cinderella have propelled him into the limelight.
On multiple occasions, Pato was seen vibing to Bwoy King’s tracks, especially “Cinderella,” while driving or relaxing, sharing those moments on social media. These clips painted a picture of admiration and camaraderie between the two artists, and fans celebrated their apparent unity as a sign of strength in the regional music scene.
However, the friendly tide turned dramatically after the young artist Navi Dokta, once signed under Pato Loverboy’s One Step Music Empire, switched management to join Bwoy King HD’s Mafia Management.
The move shocked many fans and insiders alike, especially considering Pato’s mentorship role in shaping Navi Dokta’s early career. The young artist had shown significant promise, and his decision to depart from One Step Music stirred emotions behind the scenes.
Pato Loverboy, in a now-viral interview, expressed his disappointment, revealing that the situation occurred during a time of personal hardship. He emphasized that while he harbored no ill will against Navi Dokta for making career choices, he was hurt by what he perceived as Bwoy King HD’s opportunistic approach in luring the artist away without any communication or mutual respect.
“I was going through a tough time personally,” Pato said in the interview. “Instead of reaching out as a brother, Bwoy King went behind my back. That is not how we grow the industry. That is disrespect.”
Following the incident, tensions between the two artists have grown more visible. Pato Loverboy has become increasingly vocal, criticizing Bwoy King HD’s music and management style. In one candid interview, Pato dismissed the impact of Bwoy King’s songs, claiming they lack the power to elevate an artist like Navi Dokta to higher professional levels.
“He may have the hype, but the content is shallow. You can’t build an empire on shaky foundations,” Pato remarked. “Let’s see where they’ll be in two years.”
These comments ignited heated discussions online. Fans of both artists have taken to TikTok, Facebook, and YouTube, sharing videos, reactions, and memes. Some have sided with Pato, emphasizing loyalty and the importance of artist development, while others argue that Bwoy King is simply offering better opportunities and should not be faulted for running a competitive management label.
Interestingly, Bwoy King HD has chosen not to directly respond to Pato’s accusations in most forums. While his management team has acknowledged the transition of Navi Dokta, they have framed it as a professional decision made by an artist seeking growth.
An insider close to Mafia Management stated, “We don’t interfere with other labels. Navi approached us himself. Bwoy King respects all artists, including Pato, but at the end of the day, this is business.”
This measured response—or strategic silence—has left many speculating whether Bwoy King is avoiding the spotlight or planning a larger comeback. In recent weeks, he has released snippets of new music and behind-the-scenes footage with Navi Dokta, hinting at a strong collaboration that might further escalate the feud.
While the feud has certainly drawn attention to Northern Uganda’s music scene, some industry experts worry about its long-term effects. Music promoter Ben Okello warns that personal rivalries can hinder collaboration and growth.
“We need unity, not division,” Okello said. “It’s great for social media engagement, but at the end of the day, fans want good music and progress. If our top talents start tearing each other down, the entire region loses.”
Others see it differently, noting that healthy competition can fuel creativity. Media analyst Susan Ayaa points out that feuds have historically boosted visibility in entertainment industries worldwide.
“This could actually be a blessing in disguise. People who didn’t know about Pato or Bwoy King are now checking them out,” she noted. “It all depends on how they handle it moving forward.”
As of now, the feud between Pato Loverboy and Bwoy King HD remains unresolved. Fans await new music, potential diss tracks, or even a reconciliation. What’s clear is that the drama has energized the Northern Ugandan music scene and placed a spotlight on emerging talent.
Whether this tension leads to lasting division or eventual growth remains to be seen—but one thing is certain: Northern Uganda’s music industry is alive, dynamic, and full of stories that matter.
For updates on this story and more from Northern Entertainment scene, stay tuned to Musicwaa.
