In a dramatic turn of events that has sparked conversation across Uganda’s entertainment industry, celebrated dancer and Ugandan music artist Eddy Wizzy has come forward with strong allegations against unnamed individuals whom he accuses of undermining his music career. The popular performer, who made his name through high-energy dance routines and has since transitioned into recording music, claims that some people are bribing deejays to deliberately avoid playing his songs in nightclubs and entertainment venues.
Taking to his official social media platforms earlier this week, Eddy Wizzy didn’t mince words. His post read: “Stop paying deejays to stop playing my songs in the club. The music is bigger than your hate.” The statement has since gone viral, generating widespread reactions from fans, fellow artists, and entertainment inside.
Eddy Wizzy’s public outcry touches on a topic that many within Uganda’s entertainment scene are hesitant to address openly—backdoor politics and silent feuds that can stall careers. Although he stopped short of naming those he believes are responsible, his tone was firm and unshaken, suggesting that he has been aware of the ongoing sabotage for some time.
“I’ve worked too hard to get here,” he wrote in a follow-up comment. “It’s painful when people try to destroy what you’ve built just because they don’t want to see you succeed.”
According to sources close to the artist, the issue has been bubbling under the surface for months. Several of his singles, despite having high streaming numbers online and strong support from fans, have mysteriously received minimal rotation in clubs around Kampala and other major towns. This disconnect between digital success and street-level exposure has raised eyebrows and now, with Eddy Wizzy’s recent revelation, the possible reason is becoming clearer.
For those unfamiliar with his background, Eddy Wizzy (real name Okuni Edward ) began his career as a dancer, becoming a household name for his mesmerizing moves and collaborations with top musicians across East Africa. Known for infusing local dance styles with international trends, he quickly built a massive following on social media and was regularly featured in music videos and live performances.
Eddy Wizzy’s statement has triggered a wave of responses across social media platforms. Several deejays have defended themselves, insisting that they base their playlists on audience preferences, not backdoor deals. Others, however, have admitted—anonymously—that such practices do happen in the industry.
While the allegations remain unproven in a legal or institutional sense, the public seems largely sympathetic. Under his original post, thousands of supporters have expressed encouragement, urging him not to give up.
“Real talent can’t be buried. Keep going, bro,” one user commented.
“You’re bigger than the hate. Let the music speak,” said another.
Others have called on event organizers, club managers, and entertainment regulators to look into the issue, demanding transparency and fairness for all artists.
As Uganda’s entertainment industry continues to evolve, Eddy Wizzy’s story serves as both a warning and a rallying cry—highlighting the unseen obstacles that many artists face, while also reminding fans and stakeholders that talent, when nurtured and protected, can outshine even the darkest schemes.
Stay tuned to Musicwaa for more updates….
